Vishnu was not a major deity in the Vedic period. A few Rigvedic hymns (c. 1400–1000 BCE) associate him with the Sun, and one hymn relates the legend of his three strides across the universe, which formed the basis of the myth of his avatar Vamana, the dwarf. Legends of figures that later became other avatars, such as the fish that saves humankind from a great flood, are also found in the early literature. By the time of the Mahabharata (the great Sanskrit epic that appeared in its final form about 400 CE), the avatars began to be identified with Vishnu. Vishnu is said to manifest a portion of himself anytime he is needed to fight evil and to protect dharma (moral and religious law). Not all avatars are wholly benevolent; some, such as Parashurama (Rama with the Ax) and Krishna, bring about the deaths of many innocent people, and the Buddha corrupts the pious antigods. Vishnu’s vahana, his vehicle in the world, is the eagle Garuda ; his heaven is called Vaikuntha
Temple images of Vishnu depict him either sitting, often in the Bola Deposit Pulsa of his consorts Lakshmi (also called Shri) and Bhumidevi (Earth), or reclining on the coils of the serpent Shesha—asleep on the cosmic ocean during the time between the periodic dissolution and re-manifestation of the world. He is also represented in a standing position and dressed in royal garments, holding in his four (sometimes two) hands the shankha (conch), chakra (discus), gada (club), or padma (lotus). On his chest is the curl of hair known as the shrivatsa mark, and around his neck he wears the auspicious jewel Kaustubha. In paintings, Vishnu is usually shown as dark-complexioned, a distinguishing feature also of several of his incarnations.